Lyotard and Kant on the State of the Sublime in Art
Resumen
Palabras clave
Referencias
Abaci, Uygar, (2008), “Kant’s Justified Dismissal of Artistic Sublimity”, Journal of Aesthetics and Art Criticism 66 (3), pp. 237–51. https://doi.org/10.1111/j.1540-6245.2008.00306.x.
Allison, Henry E., (2001), Kant’s Theory of Taste: A Reading of the Critique of Aesthetic Judgment, Modern European Philosophy. Cambridge ; New York: Cambridge University Press.
Crowther, Paul, (1989), The Kantian Sublime: From Morality to Art, Oxford Philosophical Monographs. Oxford: Clarendon Press.
Ferguson, Frances, (1992), Solitude and the Sublime: Romanticism and the Aesthetics of Individuation, New York: Routledge.
Guyer, Paul, (2006), Kant, Routledge Philosophers. New York, NY: Routledge.
Kant, Immanuel, (2000), Critique of the power of judgment, Translated by Paul Guyer. Cambridge, UK; New York: Cambridge University Press. https://doi.org/10.1017/CBO9780511804656.
Lyotard, Jean-François, (2012), Que peindre? Adami, Arakawa, Buren, Écrits sur l’art contemporain et les artistes [Writings on contemporary art and artists], vol. V. Leuven: Leuven University Press.
Lyotard, Jean- François, (2010), ‘Answering the Question: What Is Postmodernism?’, Philosophers on Art from Kant to the Postmodernists: A Critical Reader, edited by Christopher Kul-Want, pp. 237–49. New York: Columbia University Press.
Lyotard, Jean-François, (1994), Lessons on the Analytic of the Sublime: Kant’s Critique of Judgment, [Sections] 23-29, Meridian. Stanford, Calif: Stanford University Press.
Lyotard, Jean-François, (1991), The Inhuman: Reflections on Time, Stanford, California: Stanford University Press.
Lyotard, Jean-Francois, (1988), The Differend: Phrases in Dispute, Manchester: Manchester Univ. Press.
Lyotard, Jean-François, (1984), The Postmodern Condition: A Report on Knowledge. Theory and History of Literature, v. 10, Minneapolis: University of Minnesota Press.
Newman, Barnett, (1967), Now II. Acrylic on canvas. The Barnett Newman Foundation, New York/ Artists Rights Society (ARS), New York. https://www.menil.org/collection/objects/6150-now-ii.
Newman, Barnett, (1948), Onement, I. Oil, canvas. Museum of Modern Art (MoMA), New York City, NY, US. https://www.wikiart.org/en/barnett-newman/onement-i-1948.
Zepke, Stephen, (2017) Sublime Art: Towards an Aesthetics of the Future, Crosscurrents. Edinburgh: Edinburgh University Press.
DOI (HTML): https://doi.org/10.5281/zenodo.5776094
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